Hyperinflation

Inflationary Tale, Resin and Powder | 64 x 64 x 36 cm | 2011

In the annals of modern economic history, few tales parallel Zimbabwe's episode of hyperinflation from 2003 to 2008. It was a period marked by extraordinary economic turbulence when the inflation rate spiraled beyond comprehension, peaking at an astonishing 79.6 billion percent monthly inflation rate in November 2008. Yet, amidst these dizzying numbers, the resilience of Zimbabwean people shone through. Today, their story serves as a potent source of inspiration for global citizens grappling with the pangs of inflation.

During Zimbabwe's hyperinflation years, the ordinary Zimbabwean was forced to navigate an economy in free fall. Money lost value by the minute, forcing people to spend their earnings immediately before their value dissipated into nothingness. By June 2008 the US$1 became equivalent to Z$2,621,984,228 an astonishing inflation rate of 11.2 million percent, with a monthly peak in November 2008 reaching an unimaginable 79,600,000,000%.

Bartering systems and black-market trading flourished as conventional currency systems collapsed. People turned to foreign currencies and goods for stability. This spirit of adaptability underlines the human capacity to find solutions even in the direst of circumstances. It's a spirit that is relevant today, as nations and individuals alike find ways to adjust and adapt to rising inflation rates worldwide.

Today, as many across the globe experience the discomfort of escalating inflation rates, the Zimbabwean experience serves as a lesson. It illuminates the human capacity to endure, adapt, and prevail over economic adversities. More importantly, it reminds us that resilience in the face of hardship is not just a survival mechanism, but a profound testament to human spirit and strength.

This artwork, is combination of 3 elements. Firstly a bust of Robert Mugabe - the complicated leader of Zimbabwe during this time who many say precipitated the crisis in his radical and angry attempts to rebalance the wrongs of colonialism. Second, the desperate hand of the “people” grasping towards a glass cage protecting Mugabe and trillions of original Zimbabwean dollars collected during that period in history.

Originally this sculpture was installed in an old grabber machine from a funfair for a show. Actually this felt like the right format for this piece and hopefully when the time is right, we’ll do this again. Here are some iPhone shots from the exhibition.